We can do that with our novels—with our characters.
I’m providing the equivalent of three unique crafting
scissors today to help as you work to cut out and build irresistible,
can’t-stop-reading characters. (Or if you love to read, I’m hoping this will
help increase your appreciation for what goes into creating such characters.)
As authors, we’re wise to understand and explore each of
these three interwoven components in order to shape believable 3-D characters.
In order to make a character come off the page we must know:
Her Fears
Not just what makes her afraid, but what drives fear into
her. Physical fears as well as emotional ones. What’s the monster from the past
that keeps following her into her future? Discovering this can take the form of
an archeological dig as we carefully brush away the outer layers of dirt until
we get to the real deal.
It’s also important to know fear’s counterpart, which brings
me to…
Her Hopes
This goes way beyond wishing for a sunny day or wanting to
get a certain birthday gift. What charges her, excites her, makes her believe
in tomorrow? What form does her faith take when things go smoothly, when they
take a turn for the worst? Does she share this hope or is she alone in it? Does
it inspire or frustrate her—or both? Does her understanding of hope change,
taking on different forms throughout the course of the novel?
And the sad counterpart to hope—despair, when does she feel
that most?
Her Self-concept
This is one of my favorite explorations. It’s amazing how
our perceptions can differ from how the world sees us. What is her self-concept
and how did she establish it? Perceiving her self-concept in relation to how
others react and respond to her is one of the best tools for designing a pop-up
character. Is she self-aware or completely ignorant of her inconsistencies? Is
her thoughtfulness and altruism rooted in the desire to people please? Is she
desperate or secure? How does each of these answers influence her actions?
Finally, as you can guess all three of these bleed together
constantly. Her hopes, fears, and self-concept play off each other in a complex
network that mimics that of a DNA double-helix (remember those twisted ladders
from middle school science class?). Forever going on behind the scenes. Until,
after the author has done her job, the character leaps from the page and thrills
the reader.
Do you think it’s
essential to understand a character’s hopes, fears, and self-concept in order
to craft a pop-up character? Why, or why not?