If you’re a writer you’ve heard the expression write
what you know. Actually, it’s probably been drummed into your head so much you
might feel hammered down inside a box, inhibited by what you might dare tackle
in your work. But I’m going to alter that advice today.
I’m going to suggest you write what you no.
There is an untapped power waiting in the areas you
keep saying no to. What am I referring to?
Three areas in particular:
What
you fear
What
you believe you’re inadequate to write
What’s
too painful
And when you get brave enough to finally put it on the
page, you might be amazed to find the thing isn’t so scary after all. Painful,
perhaps. Powerful, likely. Worth it…absolutely.
Write
what you feel inadequate to write
If you don’t feel inadequate before beginning a
project then you’re probably overconfident.
Every writer doubts their talent and ability to
create. Anne Lamott says, “But it is fantasy to
think that successful writers do not have these bored, defeated hours, these
hours of deep insecurity when one feels as small and jumpy as a water bug. They
do.”
Consider it a strong nudge whenever you
feel this way. Pay attention to what’s playing in your mind. Maybe it’s that
very slide show you’re supposed to explore in your story. Because insecurity or
not, the show must go on and you are
the ultimate director.
Allow your insecurities to point you
toward the work you’ve been avoiding.
Write
into the pain
No, it’s too painful. I don’t want to go there. I’ve
already healed from that. What’s the point of diving back in? What good would
it do?
Some of my favorite books depict characters enduring
great tragedy. The Art of Racing in the
Rain. The Storied Life of A.J. Fikry. The Book Thief. I’m reading Between Shades of Gray right now. It’s a
poignant story about a fifteen-year-old Lithuanian girl named Lina taken from
her home and thrown into a cattle car by the Soviet secret police. This book is
quickly becoming one of my favorites because of the beautiful risks the author
takes, how she delves into an unimaginable hardship. Ruta Sepetys evokes a rich
sense of empathy for the characters and invites readers into Lina’s harsh
reality.
After I read Ruta’s bio I understood she had to write
into the pain. Her own father was a Lithuanian refugee. Her bio goes on to
state, “Ruta wanted to give voice to the hundreds of thousands of people who
lost their lives during Stalin’s cleansing of the Baltic region.”
Write into the pain to give voice.
Paint your unique brushstroke on the canvas of human
experience.
We come together in this. We grow. We change the
world.
Next time someone tells you to write what you know,
think about writing what you no instead.
I double dog dare you!
Wow. How did you know I've been shying away from particular topics and certain styles of writing? "Too close to home;" "too hard;" "too intimidating."
ReplyDeleteThanks for blowing my excuses away!
Jen
Jeanette, I loved seeing you comment here! I come up with all kinds of excuses, too. That's how I knew to write about them. But it's so rewarding when we write through them, isn't it?
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